宋代钧瓷艺术
| vase, wine vessel, censer and ancient cooking vessel used for aesthetic appreciation, or to show the dignity, or for ancestor worship. These three kinds of works have been raised to a height of spiritual demand from the simple utilities, which marks that the functions of Jun porcelains are dedicated to the aesthetic need to give prominence to the elegance. 在釉色方面，宋代钧瓷表现了丰富多彩的风貌，这也是其独具的个性。主色调除天青、月白类外，还有罕见的玫瑰紫、海棠红、玛瑙红、葱绿、豆青、天蓝等。该釉色的出现改写了“青白瓷一统天下的历史”，故又称之为创举，这也是钧瓷对陶瓷业做出的最大贡献之一。 As for the glaze color, Jun porcelains have presented its colorful style, which is also there individuality. Besides the blueness and pale blue, the main hues also include rose violet, Chinese flowering crabapple red, agate red, light green, pea green and azure which are rarely found. The appearance of such glaze colors changed the history of being dominated by blue and white porcelains, so it is also called a piece of pioneering work, which is one of the most important contributions made by Jun porcelains to the ceramic industry. 宋代钧瓷釉质莹润、含蓄，呈乳浊状，有着绚丽多姿的审美风韵，“似玉、非玉、胜于玉”的审美体验，使之成为皇室的尤物。表示了“宁为玉碎，不为瓦全”的的民族气节和温文尔雅做人的品质。 Jun porcelain of Song Dynasty has shiny and smooth glaze, in milky, with beautiful and diverse aesthetic feelings, “Be like the jade, while it is not, but much better”, which makes it become the stunner of royal family, and has also embodied the national integrity and gentleness and cultivation, described as “rather be a shattered vessel of jade than an unbroken piece of pottery”. 宋代钧瓷的足部处理最具个性，除圈足外，支足多采用如意之兽处理，隐含有镇宅辟邪的道家传统，同时又含有与天同寿的美好愿望。支足数目多为三足，表示天地人三位一体，追求天人合一的境界。 The treatment on the foot of Jun porcelains in Song Dynasty is the most individual. Except cycling the |
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