宋代钧瓷艺术
| 着密切联系。这位历史上的昏君，虽治国无方，却对艺术有着独特的钟爱和天赋，尤爱钧瓷别具的神韵。因此钧瓷以瑰丽多变的釉色、庄重古朴的造型、特殊的审美风仪，丰富的文化内涵，以及别具个性的治世思维，卓立瓷林、入主宫庭，成为真正意义上的御用珍品——“君王之瓷”。 The Jun porcelain is typically represented by those produced in the reign of Emperor Song Huizong, Zhao Ji.  This is the most brilliant era in the development of Jun porcelain, which is closely related with the Emperor Song Huizong who entitled himself as a Taoist King. Although he was a muddleheaded emperor and failed to rule his country successfully, he was fond of and talented in arts, especially his love for the verve of Jun porcelain. Therefore, Jun porcelain distinguished itself from others and got the opportunity to serve the palace with its magnificent and changeable glaze colors, grand and unsophisticated style, unique aesthetic appreciation, rich cultural connotation and the individual ruling thinking, really becoming the imperial treasures----“Porcelain used by the Emperor”. 三、宋代钧瓷的艺术特征 III. Artistic Characteristics of Jun Porcelain of Song Dynasty 宋代钧瓷由于是宫庭需要，当然极尽精美，从传世宋钧来看，的确如下：在造型方面，宋代钧瓷多以器皿类造型出现，如花盆、花托、瓶、洗、杯、奁、尊、碗、盆、盘、壶、炉等。其中以养花用的花盆类居多，其次是文房用品类的洗、盆等，再次是审美的、寓意权贵的、祭祖用的瓶、尊、炉、鼎等，这三类作品已经从简单的日用品类上升到精神需要，标明钧瓷的功能是致力于审美需要的，突出一种“雅”的品位。 Jun porcelains of Song Dynasty were extremely exquisite due to that they were manufactured upon the palace’s need. Seen from the Jun porcelains passed down, they have the following features: regarding the style, Jun porcelains are used as wares, such as flower pot, flower holder, vase, washing utensil, cup, mirrored dressing case, wine vessel, bowl, basin, dish, kettle, censer etc., most of which are the flower pots, followed by the washing utensil and basin, then the |
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