宋代钧瓷艺术
| orcelains made by kilns in Chai Dynasty as supposed, while only the Jun porcelain produced in Shenhou, can shed this beautiful rays of light in a looming way. The marvelous thought and comprehension, reflected from the elegant aesthetic appreciation for the blueness and azure have inspired the birth and growth of Jun porcelain of Song Dynasty. In fact, the ideal porcelain for Emperor Chai Shizong is those from Jun kilns. 二、时代背景 II. Era Background 每一个时代都有自己特定的文化氛围、政治环境、时代精神，反映在宋代便诞生了极具个性的道教思维倾向。宋王朝建国初期，吸取前朝亡国的教训，感叹创业来之不易，效仿开明皇帝，进行了“庆历新政”、“熙宁变法”，取得了生产力的部分解放，政治相对稳定、经济日益繁荣，促进了文化艺术的发展，烙印到陶瓷上，便诞生了钧、汝、官、哥、定五大历史名瓷，从唐代的雄浑、高远、旷达，铿锵、辉煌、瑰丽，步入了宋代婉约清纯、寄情、思辩、理性、尚志的新阶段。 Each era has its own cultural atmosphere, political environment and era spirits, and the naissance of the individual Taoist thinking tendency is such a presentation in Song Dynasty. In the initial establishment of Song Dynasty, the emperors carried out “Qingli New Policies” and “Xining Political Reforms” by imitating the open-minded emperors upon taking the teach of the declination of the former dynasty and appreciating the hardships of creating a new country, thus the productivity was partially liberated to obtain a relatively stable political environment and increasingly prosperous economy, which has boosted the development of culture and arts. Reflected on the porcelain wares, the five historic famous kilns, Jun, Ru, Imperial, Ge and Ding, are generated, stepping into a new ear of the gracefulness, purity, lovemaking, thoughtfulness, rationality and ambition from the vigor, remoteness, broad-mindedness, firmness, refulgence and magnificence of Tang Dynasty.  宋朝时的钧瓷当以北宋末年徽宗赵佶执政时期最为典型，是钧瓷发展史中最为灿烂的阶段，这与崇尚道教，自封为教主道君皇帝的宋徽宗有 |
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